情報量： 高 / 中 / 低
ソート： タイトル順 / タイトル逆順

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1. Meditations for All Seasons

Music - CD Nimbus 発売日 : 2001-03-06 通常9～12日以内に発送 価格 : ￥ 2,464 価格 : ￥ 2,694 (-9％引き) 新品/中古価格 : ￥ 2,348 より 詳細を見る 関連商品を見る

■商品仕様
Clarinet : Colin Lawson
Clarinet : Karl Leister
作曲 : William Alwyn
作曲 : Johann Sebastian Bach
作曲 : Samuel Barber
作曲 : Ludwig van Beethoven
作曲 : Lennox Berkeley
作曲 : Howard Blake
作曲 : Johannes Brahms
作曲 : Frank Bridge
作曲 : Benjamin Britten
作曲 : Frederic Chopin
作曲 : Domenico Cimarosa
作曲 : Aaron Copland
作曲 : Claude Debussy
作曲 : Edward Elgar
作曲 : Gerald Finzi
作曲 : Franz Joseph Haydn
作曲 : Andre Jolivet
作曲 : Felix Mendelssohn
258ディスク枚数：4
Box set
輸入品
from UK
ディスク 1
1. Symphony No.4 in A major, Op.90 - Mendelssohn / 2. Symphony NO.6 in D major - Haydn / 3. Appalachian Spring - Copland / 4. Symphony No.6 in F major, Op.68 - Beethoven / 5. Vistes al mar - Toldra / 6. Serenade for Strings - Berkeley / 7. Oboe Concerto in C minor - Cimarosa/Benjamin / 8. Oboe Concerto in D major - Vivaldi / 9. The Bartered Bride - Smetana
ディスク 2
1. Naiades (Fantasy Sonata) - Alwyn / 2. Le Petit Berger (Children's Corner Suite) - Debussy / 3. Premiere Arabesque / 4. Serenade No.10 - Persichetti / 5. The Fog Is Lifting - Nielsen / 6. Syrinx - Debussy / 7. A 1940s Childhood - Anthony Payne / 8. Vers la source dans le bois - Tournier / 9. Alla Rustica (Divertissement) - Jolivet
ディスク 3
1. Five Variants of 'Dives and Lazarus' - Vaughan Williams / 2. Clarinet Quintet in B minor, Op.115 - Brahms / 3. Prelude in D flat major, Op.28 - Chopin / 4. Rodeo - Copland / 5. Crown of the Year - Tippett / 6. 'Four Sea Interludes' from Peter Grimes, Op.33a / 7. Adagio for Strings - Barber / 8. Sospiri, Op.70 - Elgar / 9. Eclogue for Piano & Strings - Finzi
ディスク 4
1. The Skater's Waltz - Waldteufel / 2. Walking in the Air - Blake / 3. The Snow is Dancing - Debussy / 4. A Christmas Dance - Bridge / 5. In Dulci Jubilo (BWV 608) - JS Bach / 6. Suite for the Birthday of Prince Charles - Tippett / 7. Prelude in G Sharp minor - Rachmaninov / 8. Ballet Suite: Des Flocons de Neige - Offenbach / 9. Des pas sur la Neige - Debussy / 10. Roses de Noel, Waltz, Op.230 - Waldteufel / 11. Hebrides Overture ('Fingal's Cave') - Mendelssohn

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2. Shostakovich: Symphonies No.4&5 / Britten: Four Sea Interludes

Music - CD EMI 発売日 : 1998-05-01 出品者から通常2営業日以内 価格 : ￥ 1,667 新品/中古価格 : ￥ 2,623 より 詳細を見る 関連商品を見る

■商品仕様
アーティスト : Dmitry Shostakovich
アーティスト : Benjamin Britten
アーティスト : Andre Previn
133ディスク枚数：2
輸入品
from US
ディスク 1
1. Dmitri Shostakovich: Symphony No. 4 In C Minor, Op. 43, I - Allegretto Poco Moderato - Presto - (Tempo I) / 2. Dmitri Shostakovich: Symphony No. 4 In C Minor, Op. 43, II - Moderato con moto / 3. Dmitri Shostakovich: Symphony No. 4 In C Minor, Op. 43, III Largo - Allegro / 4. Benjamin Britten: Four Sea Interludes From, aus, de 'Peter Grimes', Op. 33a, I - Dawn (Lento e Tranquillo) / 5. Benjamin Britten: Four Sea Interludes From, aus, de 'Peter Grimes', Op. 33a, II - Sunday Morning (Allegro spiritoso) / 6. Benjamin Britten: Four Sea Interludes From, aus, de 'Peter Grimes', Op. 33a, III - Moonlight (Andate comodo e rubato) / 7. Benjamin Britten: Four Sea Interludes From, aus, de 'Peter Grimes', Op. 33a, IV - Storm (Presto con fuoco)
ディスク 2
1. Dmitri Shostakovich: Passacaglia from, aus, de / 2. Dmitri Shostakovich: Sifonia da Requiem, Op.20 I - Lachrymosa (Andante ben misurato) / 3. Dmitri Shostakovich: Sifonia da Requiem, Op.20 II - Dies Irae (allegro con moto) / 4. Benjamin Britten: Sifonia da Requiem, Op.20 III - Requiem aeternam (Andante molto tranquillo) / 5. Benjamin Britten: Symphony No.5 in D mino, Op. 47 I - Moderato - Allegro non troppo / 6. Benjamin Britten: Symphony No.5 in D mino, Op. 47 II Allegretto / 7. Benjamin Britten: Symphony No.5 in D mino, Op. 47 III Largo / 8. Benjamin Britten: Symphony No.5 in D mino, Op. 47 IV - Allegro non troppo

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3. Instruments of the Orchestra

Music - CD Naxos 発売日 : 2002-12-03 出品者から通常2営業日以内 価格 : ￥ 2,978 新品/中古価格 : ￥ 2,747 より 詳細を見る 関連商品を見る

■商品仕様
アーティスト : Various Artists
ディスク枚数：7
Box set
輸入品
from UK
ディスク 1
1. Overture To 'Tannhauser' / 2. Domna, Pos Vos Ay Chausida / 3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us. / 4. Hungarian Dance No.7 / 5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented. / 6. Violin Concerto In D Major (Adagio) / 7. But For A Long Time It Was Seen As The Instrument Of The Devil. / 8. The Soldier's Tale: Triumphal March Of The Devil / 9. The Manipulative Seductiveness Of The Gypsy Violin. / 10. Csardas Music / 11. The Violin And The Initiation Of Nature / 12. The Four Seasons (Spring, Mvt 1) / 13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite. / 14. The Four Seasons (Summer, Mvt 1) / 15. Like The Devil, The Violin Is A Master Of Disguise. / 16. Old Viennese Dance No.3 'Schon Rosmarin' / 17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin: / 18. Tzigane / 19. Do We Now Have The True Measure Of This Instrument? Not Just Yet. / 20. Caprice No.24 / 21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato. / 22. Variations On A Theme Of Frank Bridge (No.7) / 23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime. / 24. Romeo And Juliet: Act IV / 25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice. / 26. The Four Seasons (Winter, Mvt 1) / 27. The Violin Muted / 28. Clair De Lune / 29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays. / 30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt) / 31. The Pizzicato Violin / 32. Pizzicato Polka / 33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato. / 34. Violin Concerto No.2 In G Minor (Slow Mvt) / 35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato... / 36. The Planets (Mars - The Bringer Of War) / 37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique / 38. Hungarian Dance No.4 / 39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music. / 40. The Four Seasons (Autumn, Mvt 1) / 41. Now The Same Technique, But The Sound Might Have Come From Another World. / 42. Bolero / 43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet. / 44. Cadenza To The Violin Concerto By Brahms / 45. Now Compare That With A Real Violin Duet. / 46. Forty-Four Duos (No. 1: Teasing Song) / 47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register / 48. Forty-Four Duos (No.2: Maypole Dance) / 49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History / 50. Concerto In D Minor For Two Violins (Largo) / 51. The Soul Of The Violin Is In Song; But What About This Weird Passage? / 52. Violin Concerto No.1 In D Major (Mvt 2) / 53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling. / 54. Symphony No.1 'Titan' (Mvt 1, Opening) / 55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling. / 56. The Sleeping Beauty (Act II, No.15: Entr'Acte) / 57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation. / 58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast) / 59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction) / 60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'. / 61. Also Sprach Zarathustra (Of The Afterworldsmen) / 62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt. / 63. Variations On A Theme Of Frank Bridge (No. 4) / 64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood. / 65. Four Sea Interludes (Dawn) From 'Peter Grimes' / 66. To End This Outing With The Violins, A Charming Little Elfin Dance / 67. Elfenreigen
ディスク 2
1. Introduction To The Viola / 2. Viola Concerto (Mvt 1) / 3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic. / 4. Gayane Suite No.1 (Armen's Solo) / 5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola. / 6. Passacaglia, Op.33b From 'Peter Grimes' / 7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today. / 8. Harold In Italy (Mvt 4) / 9. The Muted Viola: Intimate, Gentle, Poignant In Dvork / 10. Cypresses (No.9) / 11. The Massed Violas Of The Modern Symphony Orchestra In Mahler / 12. Symphony No.4 (Mvt 3) / 13. The 'Period' Viola In Bach / 14. Brandenburg Concerto No.6 (Last Mvt) / 15. The Cello: A Voice Of Unique Nobility / 16. Suite No.1 For Unaccompanied Cello (Prelude) / 17. Brahms And The 'Soul' Of The Cello / 18. Piano Concerto No.2 In B Flat Major (Mvt 3) / 19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register. / 20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu) / 21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever. / 22. Symphony No.3 'Eroica' (Finale) / 23. But The Cello Is Not Condemned To Spend Its Life In The Basement. / 24. Elfentanz, Op.39 / 25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register. / 26. The Protecting Veil (Opening) / 27. A Cello With An Identity-Crisis: The Pizzicato Flamencan / 28. Flamenco / 29. Double-Stopping In The Lower Reaches Of The Cello's Range / 30. Solo Suiet For Cello And Piano (Sardana) / 31. It's In The Middle Register That The Cello Really Comes Into Its Own. / 32. Oriental Dance, Op.2 No.2 / 33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony. / 34. Symphony No.9 (Finale) / 35. Introduction To The Double-Bass / 36. The Carnival Of The Animals (The Elephant) / 37. But The Double-Bass Can Be Intensely Expressive And Graceful. / 38. Elegy No.1 In D Major / 39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity. / 40. Capriccio Di Bravura / 41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1) / 42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses.... / 43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
ディスク 3
1. The Antiquity And Magic Of The Flute / 2. Prelude A L'Apres-Midi D'Un Faune / 3. The Versatility And Agility Of The Flute / 4. Orchestral Suite No.2 In B Minor (Badinerie) / 5. The Flute In Fifteenth-Century Spain / 6. Sa'Dawi / 7. Other Flutes: The Bass And Alto / 8. Chamber Music No.II / 9. The Piccolo - Aptly Named / 10. La Naissance D'Osiris (Mvt 6) / 11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth / 12. Suite No.1 For Small Orchestra (Valse) / 13. A Variety Of Techniques / 14. Chamber Music No.II / 15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before. / 16. The Nutcracker (Act II, No.2: Scene) / 17. From The Transverse To The Vertical: The Baroque Recorder / 18. Recorded Suite In A Minor (Menuet II) / 19. An Unfamiliar, Early Vision Of The Instrument / 20. Naelden, Naelden / 21. The Bachian Oboe / 22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto) / 23. Introduction To The Cor Anglais Or 'English Born' / 24. Symphony No.9 'From The New World' (Mvt 2) / 25. The Loneliness Of The Cor Anglais / 26. The Swan Of Tuonela / 27. The Cor Anglais Joins The French Horn In Haydn. / 28. Symphony No.22 'The Philosopher' (Opening) / 29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel / 30. Bolero / 31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining... / 32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II) / 33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft: / 34. Gayane Suite No. 1 (Mvt 5) / 35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria). / 36. The Range Of The Normal Clarinet Parts Goes Quite High... / 37. The Snow Maiden (Scene 5: Melodrama) / 38. ...And Quite Low. / 39. Peter And The Wolf (The Cat) / 40. The Clarinet As Concerto Soloist / 41. Clarinet Concerto In A Major (Rondo) / 42. But That's Not The Instrument Mozart Wrote It For; This Is: / 43. Clarinet Concerto In A Major (Rondo) / 44. Introduction To The Saxophone / 45. Hary Janos Suite (Mvt 4) / 46. The Soprano Saxophone Has Quite A Different Feel To It. / 47. L'Arlesienne Suite No.1 (Minuet) / 48. The Little Sopranino Sax Goes Even Higher. / 49. Bolero / 50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel. / 51. Pictures At An Exhibition (The Old Castle) / 52. The Saxophone Can Be Quite Contagiously Good-Humoured. / 53. Sax-O-Phun / 54. The Puffa-Puffa Image Of The Bassoon / 55. Peter And The Wolf (Grandfather) / 56. The Bachian Bassoon, In Accompanimental Mode / 57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1) / 58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala) / 59. And Ravel, Also In Spanish Mode, Does Likewise. / 60. Bolero / 61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness / 62. Symphony No.3 (Opening) / 63. The Eerie Bassoon In Its Highest Register / 64. The Rite Of Spring (Opening) / 65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy. / 66. The Firebird Suite (1919, Berceuse) / 67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration / 68. Bassoon Concerto In G Minor (Finale) / 69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast / 70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast) / 71. The French Horn Under Its Woodwind Hat / 72. Wind Quintet, Op.43 (Last Mvt) / 73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era / 74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2) / 75. The Horn In Harmonious Blend With Strings In Another Quintet / 76. Horn Quintet, K.407 (Finale)
ディスク 4
1. The Trumpet As Virtuoso Soloist / 2. Brandenburg Concerto No.2 (Last Mvt) / 3. The Special Brillance Of Paired Trumpets / 4. Concerto In C For Two Trumpets, RV537 (Mvt 1) / 5. The Ceremonial Trumpet / 6. Fanfare For The Common Man / 7. Trumpets And Drums - An Incomparable Alliance / 8. Messiah (The Trumpet Shall Sound) / 9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely / 10. Piano Concerto In F (Slow Mvt) / 11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer / 12. Carmen Suite No.2 (Habanera) / 13. The Trumpet As The Voice Of Strength And Courage / 14. Carmet Suite No.2 (Toreador's Song) / 15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness / 16. Billy The Kid / 17. The Trumpet As Character Actor / 18. Pictures At An Exhibition (No.6) / 19. The Trumpet As The Voice Of God / 20. Mass In B Minor ('Et Exspecto') / 21. The Birth Of The Trombone / 22. Aenmerckt Nu Hier / 23. The Birth Of The Brass As A Family / 24. Canzon 12 In Double Echo / 25. The Trombone In The Eighteenth Century / 26. Trombone Concerto In B Flat Major (Finale) / 27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog. / 28. Hosannah / 29. The Trombones Become Part Of The Orchestra. / 30. Symphony No.5 (Finale) / 31. The Wagnerian Trombone:/Overture To 'Tannhauser' / 32. The Trombone As Caricaturist / 33. Pulcinella (No.19: Vivo) / 34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo) / 35. The Horn And The Hunt / 36. Horn Concerto No.4 In E Flat, K.495 (Finale) / 37. The Challenging Horn Of The Baroque / 38. Abaris Ou Les Boreades (Menuet) / 39. The Scarcity Of First-Rate Players In Handel's Time / 40. Walter Music (Minuet 1) / 41. The Horn As Magician/The Firebird Suite (1919, Finale) / 42. Horns And The Sound Of Nobility / 43. Overture To 'Tannhauser' (Opening) / 44. The Special Sound Of The Horn In Its Higher Register / 45. Mass In B Minor ('Quoniam Tu Solus Sanctus') / 46. The Trumpet-Like Sound Of Massed Horns / 47. Symphony No.3 (Mvt 1, Opening) / 48. The Tuba - Unfairly Maligned? / 49. Symphony No.6 (Mvt 3) / 50. The Tuba Perfectly Cast By Ravel / 51. Pictures At An Exhibition (Bydlo)
ディスク 5
1. Introduction. And We Begin With A Bang. / 2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening) / 3. At The Opposite Extreme Is The Triangle. / 4. Piano Concerto No.1 In E Flat (Scherzo) / 5. Categories Of Percussion: Tuned And Untuned. The Side Drum / 6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening) / 7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1) / 8. The Tambourine. One Of The Oldest Instruments In The World / 9. Den Hoboecken Dans / 10. Even Older Is The Originally Oriental Gong. / 11. Ma Mere L'Oye - Mother Goose (Laideronette) / 12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective. / 13. Gymnopedie No.2 / 14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly... / 15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5) / 16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music. / 17. Rodeo (Hoe-Down) / 18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century. / 19. Scherzi Musicali (Damigella Tutta Belle) / 20. A Still Earlier Example From Fifteenth-Century Spain / 21. Yo M'Enamori D'Un Aire / 22. The Birth Of The Bongo / 23. Symphonic Dances From 'West Side Story' / 24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus') / 25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana / 26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango / 27. Onwards To The Tuned Percussion. First, The Timpani / 28. Also Sprach Zarathustra (Introduction) / 29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3) / 30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt) / 31. Taking Advantage Of Tunability / 32. Music For Strings, Percussion And Celeste (Mvt 2) / 33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere. / 34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera) / 35. Saint-Saens And The Xylophone / 36. The Carnival Of The Animals (Fossils) / 37. Ravel And The Xylophone / 38. Ma Mere L'Oye - Mother Goose (Laideronette) / 39. Introducing The Marimba/Carmen Suite (First Intermezzo) / 40. Introducing The Vibraphone / 41. The Treasure Of The Sierra Madre (Narange Dolce) / 42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera) / 43. Introducing The Hungarian Cimbalom / 44. Folk Dances / 45. The Cimbalom And The Symphony Orchestra / 46. Hary Janos Suite (Mvt 3) / 47. Introducing The Tubular Bells / 48. Hary Janos Suite (Viennese Musical Clock) / 49. A More 'Up-Front' Approach From Rodion Shchedrin / 50. Carmen Suite (Introduction) / 51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1) / 52. Introducing The Celeste / 53. The Nutcracker (Dance Of The Sugar Plum Fairy) / 54. Magic, In The Use Of Collective Percussion / 55. Miroirs (La Vallee Des Cloches) / 56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene) / 57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1 / 58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra / 59. Brandenburg Concerto No.2 (Slow Mvt) / 60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That: / 61. Petrushka (Russian Dance) / 62. The Anti-Romantic Piano As An Integral Part Of The Orchestra / 63. Music For Strings, Percussion And Celeste (Last Mvt)
ディスク 6
1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All: / 2. Symphony No.3 'Organ' (Finale) / 3. But Things In Handel's Day Were Very Different. / 4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt) / 5. The Organ Is Difficult To Classify. / 6. An Unexpected, Organ-related Guest / 7. Concerto Pour Zampogna (Last Mvt) / 8. Peasant-Fancying... And A Touch Of The Roaming Cowboy / 9. Les Miserables (Drink With Me) / 10. Outside Artefacts And The Power Of Association / 11. Mahler's Sleighbells / 12. Symphony No.4 (Opening) / 13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade / 14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet / 15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening) / 16. Don Quixote (Variation VIII) / 17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale) / 18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown / 19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up) / 20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14) / 21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno) / 22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example / 23. The Sitar Of India/Evening Raga: Bhapoli / 24. The Accordion For France (Especially Paris)/Paris Canaille / 25. The Zither For Vienna/The Third Man (Theme) / 26. The Cimbalom For Hungary/Folk Dances / 27. The Guitar As An Integral Part Of The Orchestra/Rondena / 28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats / 29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1) / 30. Nocturnes / 31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo / 32. The Carnival Of The Animals (The Cuckoo) / 33. The Flute As An All-purpose Aviary / 34. The Carnival Of The Animals (The Aviary) / 35. The Oboe As Duck / 36. Peter And The Wolf (The Duck) / 37. The Recording Of Reality. Does It Work As Well? / 38. The Pines Of Rome (The Pines Of The Janiculum) / 39. The Recording Of Reality Electronically Reborn In New Guises / 40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2) / 41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail / 42. Symphony No.6 'Pastoral' (Andante Molto Mosso) / 43. Some Improbable Casting: The Violin As Braying Donkey / 44. The Carnival Of The Animals (Persons With Long Ears) / 45. A Truly Orchestral Hee-haw To Be Reckoned With / 46. Overture To 'A Midsummer Night's Dream' / 47. A Thunderstorm In A Million / 48. Symphony No.6 'Pastoral (Allegro-Allegretto) / 49. the Instrumental Depiction Of A Silent World / 50. The Carnival Of The Animals (The Aquarium) / 51. Saint-Saens' Menagerie Takes A Curtain Call. / 52. The Carnival Of The Animals (Finale)
ディスク 7
1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins / 2. Forty-Four Duos (No.4) / 3. A Great Contrast, Of Both Pitch And Character: Violin And Viola / 4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example / 5. Arrival Of The Standard String Trio: Violin, Viola, And Cello / 6. String Trio In B Flat (Menuetto) / 7. The String Quartet: Two Violins, Viola, And Cello / 8. String Quartet In F, Op.18 No.1 (Mvt 3) / 9. The String Quintet - When The Extra Instrument Is A Second Viola / 10. String Quartet No.5 In D, K.593 (Adagio) / 11. The String Quintet - When The Extra Instrument Is A Second Cello / 12. String Quintet In C (Mvt 3) / 13. The String Sextet: Two Violins, Two Violas, And Two Cellos / 14. String Sextet In B Flat (Mvt 2) / 15. The String Octet: The Standard String Quaret Times Two / 16. Octet In E Flat, Op.20 (Mvt 1) / 17. Double The String Octet: A Fully Fledged String Orchestra / 18. String Symphony No.2 (Finale) / 19. The Massed Strings Of A Symphony Orchestra / 20. Fantasia On A Theme Of Thomas Tallis / 21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section / 22. Wind Quintet In A Minor, Op.100 No.5 (Theme) / 23. In The First Variation It's The Horn That Gets The Lion's Share. / 24. Wind Quintet In A Minor, Variation 1 / 25. In Variation Two The Torch Is Handed To The Bassoon. / 26. Wind Quintet In A Minor, Variation 2 / 27. In Variation Three The Oboe Leads. / 28. Wind Quintet In A Minor, Variation 3 / 29. Variation Four: Conversation Before Returning To A Solo-dominated Texture / 30. Wind Quintet In A Minor, Variation 4 / 31. And Variation Five is Dominated By The Clarinet. / 32. Wind Quintet In A Minor, Variation 5 / 33. The Next To Be Featured Is The Virtuoso Flute. / 34. Wind Quintet In A Minor, Variation 6 / 35. Individual Farewells And A Closing Chorus / 36. Wind Quintet In A Minor, Variation 7 / 37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass / 38. Octet In F (Mvt 3) / 39. The Early Classical Symphony Orchestra Of Haydn And Mozart / 40. Symphony No.29 In A, K.201 (Finale) / 41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew / 42. Canzon 28 / 43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team. / 44. Symphony No.5 (Finale) / 45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler / 46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever / 47. Symphoy No.6 'Tragic' (Mvt 1) / 48. The Cult Of Orchestral Elephantiasis Reaches Its Peak. / 49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus) / 50. When Large Doesn't Necessarily Mean Loud: Debussy / 51. Images (Gigues) / 52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot: / 53. Turangalila Symphony (Chant D'amour 1) / 54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness. / 55. Balle De Xerxes (Gavotte En Rondeau) / 56. Computer And Synthesiser: Friends Or Foes? / 57. Concerto In D Minor For Two Violins (Largo) / 58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

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4. Britten: 4 Sea Interludes; The Young Person's Guide to the Orchestra; Sinfonia da Requiem

Music - CD Virgin Classics 発売日 : 2000-05-23 出品者から通常2営業日以内 価格 : ￥ 1,314 新品/中古価格 : ￥ 1,970 より 詳細を見る 関連商品を見る

■商品仕様
作曲 : Benjamin Britten
指揮 : Libor Pesek
オーケストラ : Royal Liverpool Philharmonic Orchestra
63ディスク枚数：1
輸入品
from US
ディスク 1
1. Sinf Da Requiem Op.20: Lacrymosa / 2. Sinf Da Requiem Op.20: Dies Irae / 3. Sinf Da Requiem Op.20: Requiem Aeternam / 4. Four Sea Interludes And Passacaglia From 'Peter Grimes' Op.33: Dawn / 5. Four Sea Interludes And Passacaglia From 'Peter Grimes' Op.33: Sunday Morning / 6. Four Sea Interludes And Passacaglia From 'Peter Grimes' Op.33: Moonlight / 7. Four Sea Interludes And Passacaglia From 'Peter Grimes' Op.33: Passacaglia / 8. Four Sea Interludes And Passacaglia From 'Peter Grimes' Op.33: Storm / 9. The Young Person's Guide To The Orch Op.34: Theme: Allegro Maestoso E Largamente / 10. The Young Person's Guide To The Orch Op.34: Var. A: Presto/Var. B: Lento/Var. C: Moderato/Var. D... / 11. The Young Person's Guide To The Orch Op.34: Var. E: Brillante, Alla Polacca/Var. F: Meno Mosso... / 12. The Young Person's Guide To The Orch Op.34: Var. J: L'Istesso Tempo/Var. K: Vivace/Var. L... / 13. The Young Person's Guide To The Orch Op.34: Var. M: Moderato / 14. The Young Person's Guide To The Orch Op.34: Fugue: Allegro Molto-Con Slancio (L'Istesso Tempo)

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